Hamish Annan
Now booking 2027 seasons

Before
We Begin

Taskmaster meets Sex Education.

A naughty, interactive comedy about consent and queer intimacy. Probably the funniest show about consent you’ll see. (Not a lot of competition.)

TOUR
READY ✦
2026
★★★★
Whats The Show
Before We Begin
Saucy✶Playful✶Horny✶Awkward✶Joyful✶Tender✶Hilarious✶Brave✶Sexy✶Vulnerable✶Confronting✶Intimate✶Cheeky✶Disarming✶Saucy✶Playful✶Horny✶Awkward✶Joyful✶Tender✶Hilarious✶Brave✶Sexy✶Vulnerable✶Confronting✶Intimate✶Cheeky✶Disarming✶

Worth his weight in comedy gold, leaving the audience in stitches.

Enlightening and hilarious… spicy and risqué… all within a safe environment… It breaks the rules and smashes stereotypes, leaving you smiling and satisfied.”

★★★★
— Whats The Show  ·  Read the full review →
01 The show

Look, I’m not great at intimacy. Most of us aren’t, really.

My school sex ed: hormones, hair, “don’t get pregnant.” Healthy relationships — what are those?! Queer ones — not at this school!

So I made a show about doing it better. Together. In real time.

A live date. A conversation. Sexy decision-making with strangers.

A series of escalating invitations.

I ask for permission.
I wait until you’re ready.
I hope you like it.

We’ll see how far we go…

I will need your help with this.

Will I flirt with you? Probably.
Will you flirt back? If you want.
Will there be nudity? Strong maybe.
Will there be butt stuff? Every night, baby.
Will we dance in the moonlight? I hope so.
Will we fall in love? Omg, maybe.

Hamish Annan holding hands with an audience member on stage while the crowd holds up phone lights
Hamish Annan hugging an audience member on stage
Audience members raising their hands as Hamish Annan leads NEVER HAVE I EVER

“I hate interactive shows.”

I get it — you see “interactive theatre” and your sphincter clenches. Don’t worry. Auckland Pride and Adelaide Fringe audiences called it some of the safest interactive theatre they’ve experienced.

Audience members raising their hands as Hamish Annan leads NEVER HAVE I EVER

“[Told] with a great deal of honesty. With gentleness. With sensitivity.”

Whats The Show · ★★★★

“A roomful of strangers gets very good at telling one another where the boundary is.”

Melbourne Stage Review

“A joyous, brave & heartfelt exploration around consent.”

Sara Wiseman · Actor (A Place to Call Home, High Country)

“An incredibly powerful, innovative and dynamic way to engage us in such an important discussion.”

Counsellor · Basement Pride Season

“Brilliant. Fascinating to explore — as a voyeur and as a participant.”

Colin Mathura-Jeffree
Credits
Creator & Performer
Hamish Annan
Dramaturg
Dan Goodwin
Lighting Design
Rae Longshaw-Park
Technical Manager
Michael “Skippy” Goodwin
Founding Producer
Tom Webster
Photography
John Rata
Content warning Optional audience participation. Bad language, sexual themes, potential nudity. Discussions of non-consensual intimate imagery. Explicit content, including simulated sex acts.
Hamish Annan on stage with arms raised under a BEGIN slide as the audience raises their hands
Photo · John Rata

Sweet, sexy, silly and very funny.

Consent isn’t simply the subject here. It is the engine. The room shifts around each yes and no: laughter, awkwardness, curiosity, the delicious little charge of watching somebody decide whether they’re actually going to follow the invitation through.

It is a deceptively clever little show: generous, mischievous and rather lovely.”

— Melbourne Stage Review  ·  Read the full review →
02 Audience reactions

Don’t just take my word for it.

“One of the most fun I’ve ever had at a show.”

— Tiana · Adelaide Fringe

“Hilarious, naughty, playful, vulnerable. Definitely a must-see!”

— Shannon · Basement Pride Season

“Absolutely fantastic — hilarious, but also so beautiful and important.”

— Michael · Basement Pride Season

“I laughed. I squirmed. I felt all the feels. Get yourself along to see this show!”

— Jessi · Basement Pride Season

“Bold, playful, and also deeply vulnerable. Please get yourself to this one if you can!”

— Megan · Basement Pride Season

“Cheeky, fun, slick, and left me with plenty of food for thought.”

— Matthew · Adelaide Fringe

“Excellent use of audience participation to discuss consent while keeping the audience feeling held.”

— Producer · Basement Pride Season

“Normally I run a mile from audience participation, but Hamish made it feel safe, fun and naughty.”

— Catriona · Adelaide Fringe

“Absolute standout of the season. Feel safe to say yes or no, join in where you want, or just sit back and watch.”

— Marcus · Adelaide Fringe

“Funny, artistic, and important. Don’t miss this show!”

— Luke · Basement Pride Season

“A great blend of comedy and authentic vulnerability.”

— Jack · Adelaide Fringe

“Hilarious and gentle. And you get to date him.”

— Anthony · Adelaide Fringe
Hamish Annan opening a bottle on a live date with an audience member, candles and a glass on the table
Hamish Annan running into the audience during the TURN ME ON segment
Audience volunteers on stage holding up a towel, ONLY FANS on screen
Hamish Annan reading aloud into a microphone
Hamish Annan scratching an audience member’s hair on stage, HAIR SCRATCHES on screen
Hamish Annan and an audience member dancing in front of a TREND slide

Photos · John Rata

03 In the press
Whats The Show · ★★★★Consent, Connection and Queer Dating: Before We Begin → Melbourne Stage ReviewFringe Review in Brief: Before We Begin → JOY 94.9 · Well Well WellThorne Harbour Health’s podcast on consent, queer intimacy and comedy. → MSW · Melbourne Sex Workers PodcastHamish joins host Eden to chat all things consent. → Beat MagazinePart live date, part social experiment and part comedy show. → The SpinoffHe was filmed during sex without his consent — then he turned it into a theatre show. → 95bFM · Stage DirectionLaika Rountree talks Before We Begin. →

Before We Begin was a fascinating blend of performance art and theatre, crafted for the modern audience.

Annan has crafted a high concept show about the nature of consent in both an artistic context and the real world. It’s a real thinker of a show, but it’s also accessible, leading an audience down a thoughtful and important path of inquiry.”

— Sam Brooks
04 For presenters & programmers

Bring us to your festival.

A low-risk, tour-ready solo with a touring company of two. Strong fit for Pride festivals and queer programming. Made for the millennial who got rubbish sex ed at school. Suits intimate and mid-size audiences. Available for local and international seasons.

Contemporary · Comedy Interactive solo · 60 min Tour-ready 2026/27
Previous seasons
Melbourne Fringe — Trades HallOct 2026
Adelaide FringeMar 2026
Basement Theatre — return seasonMar 2026
Auckland Pride — Basement Theatre premiereFeb 2025

From award-winning New Zealand theatremaker Hamish Annan — creator of Access (★★★★ “Breathtaking”, ArtsHub).

Say yes.
Say maybe.
Say absolutely f*cking not.

How was that for you?

Book the show  →